Staging Depth: Eugene O'neill and the Politics of Psychological Discourse
(eBook)

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Published
The University of North Carolina Press, 2000.
Format
eBook
Language
English
ISBN
9780807863855

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APA Citation, 7th Edition (style guide)

Joel Pfister., & Joel Pfister|AUTHOR. (2000). Staging Depth: Eugene O'neill and the Politics of Psychological Discourse . The University of North Carolina Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Joel Pfister and Joel Pfister|AUTHOR. 2000. Staging Depth: Eugene O'neill and the Politics of Psychological Discourse. The University of North Carolina Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Joel Pfister and Joel Pfister|AUTHOR. Staging Depth: Eugene O'neill and the Politics of Psychological Discourse The University of North Carolina Press, 2000.

MLA Citation, 9th Edition (style guide)

Joel Pfister, and Joel Pfister|AUTHOR. Staging Depth: Eugene O'neill and the Politics of Psychological Discourse The University of North Carolina Press, 2000.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID2af9081d-d192-48eb-017a-394d2276f5cc-eng
Full titlestaging depth eugene o neill and the politics of psychological discourse
Authorpfister joel
Grouping Categorybook
Last Update2024-05-15 02:00:47AM
Last Indexed2024-05-25 02:39:32AM

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First LoadedApr 14, 2024
Last UsedApr 15, 2024

Hoopla Extract Information

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    [synopsis] => Until now, Eugene O'Neill's psychological dramas have been analyzed mainly by critics who relied on obvious parallels between O'Neill's life, his family, and his plays. In this theoretically expansive and interdisciplinary book, Joel Pfister reassesses what was at stake ideologically in O'Neill's staging and modernizing of 'psychological' individualism for his social class. Pfister examines the history of the middle-class family and of Freudian pop psychology in the 1910's and 1920's to reconstruct the cultural conditions for the imagining and popularizing of 'depth,' a trope that was central to O'Neill's dramatic vision. He also recovers provocative critiques by contemporary critics on the Left who challenged O'Neill's preoccupation with dramatizing psychological, familial, and aesthetic depth. One of the few sustained works on O'Neill in recent years, this wide-ranging book makes a major contribution to cultural studies, to the history of subjectivity, and to scholarship on the ideological origins of modernism and modern American drama.
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