The Book
(eAudiobook)

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Published
Ascent Audio, 2018.
Physical Description
5h 55m 0s
Format
eAudiobook
Language
English
ISBN
9781469096834

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Citations

APA Citation, 7th Edition (style guide)

Amaranth Borsuk., Amaranth Borsuk|AUTHOR., & Sarah Mollo-Christensen|READER. (2018). The Book . Ascent Audio.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Amaranth Borsuk, Amaranth Borsuk|AUTHOR and Sarah Mollo-Christensen|READER. 2018. The Book. Ascent Audio.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Amaranth Borsuk, Amaranth Borsuk|AUTHOR and Sarah Mollo-Christensen|READER. The Book Ascent Audio, 2018.

MLA Citation, 9th Edition (style guide)

Amaranth Borsuk, Amaranth Borsuk|AUTHOR, and Sarah Mollo-Christensen|READER. The Book Ascent Audio, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDdcd44b00-b546-9943-da7d-6b79bd5e6cf0-eng
Full titlebook
Authorborsuk amaranth
Grouping Categorybook
Last Update2024-05-15 02:00:47AM
Last Indexed2024-05-25 04:53:02AM

Hoopla Extract Information

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    [synopsis] => In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately. Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.
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