Possessed Voices: Aural Remains from Modernist Hebrew Theater
(eBook)

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Published
State University of New York Press, 2019.
Format
eBook
Language
English
ISBN
9781438474458

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APA Citation, 7th Edition (style guide)

Ruthie Abeliovich., & Ruthie Abeliovich|AUTHOR. (2019). Possessed Voices: Aural Remains from Modernist Hebrew Theater . State University of New York Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Ruthie Abeliovich and Ruthie Abeliovich|AUTHOR. 2019. Possessed Voices: Aural Remains From Modernist Hebrew Theater. State University of New York Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Ruthie Abeliovich and Ruthie Abeliovich|AUTHOR. Possessed Voices: Aural Remains From Modernist Hebrew Theater State University of New York Press, 2019.

MLA Citation, 9th Edition (style guide)

Ruthie Abeliovich, and Ruthie Abeliovich|AUTHOR. Possessed Voices: Aural Remains From Modernist Hebrew Theater State University of New York Press, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDccedf911-abfa-46c1-4904-ce449b63d2c6-eng
Full titlepossessed voices aural remains from modernist hebrew theater
Authorabeliovich ruthie
Grouping Categorybook
Last Update2024-05-15 02:00:47AM
Last Indexed2024-05-18 05:03:43AM

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First LoadedMay 18, 2024
Last UsedMay 18, 2024

Hoopla Extract Information

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    [synopsis] => Analyzes audio recordings of interwar Hebrew plays, providing a new model for the use of sound in theater studies.

Possessed Voices tells the intriguing story of a largely unknown collection of audio recordings, which preserve performances of modernist interwar Hebrew plays. Ruthie Abeliovich focuses on four recordings: a 1931 recording of The Eternal Jew (1919/1923), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). Abeliovich traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practices, including spoken Hebrew, Jewish liturgical sensibilities supplemented by Yiddish intonation and other vernacular accents, and in relation to prevalent theatrical forms. The book shows how these recorded performances provided Jewish immigrants from Europe with a venue for lamenting the decline of their home communities and for connecting their memories to the present. Analyzing sonic material against the backdrop of its artistic, cultural, and ideological contexts, Abeliovich develops a critical framework for the study of sound as a discipline in its own right in theater scholarship.
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