Sounds, Feelings, Thoughts: Seventy Poems
(eBook)

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Published
Princeton University Press, 2020.
Format
eBook
Language
English
ISBN
9780691213040

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Citations

APA Citation, 7th Edition (style guide)

Wislawa Szymborska., & Wislawa Szymborska|AUTHOR. (2020). Sounds, Feelings, Thoughts: Seventy Poems . Princeton University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Wislawa Szymborska and Wislawa Szymborska|AUTHOR. 2020. Sounds, Feelings, Thoughts: Seventy Poems. Princeton University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Wislawa Szymborska and Wislawa Szymborska|AUTHOR. Sounds, Feelings, Thoughts: Seventy Poems Princeton University Press, 2020.

MLA Citation, 9th Edition (style guide)

Wislawa Szymborska, and Wislawa Szymborska|AUTHOR. Sounds, Feelings, Thoughts: Seventy Poems Princeton University Press, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID1db6575c-e4ce-d63e-d806-b49f6e778286-eng
Full titlesounds feelings thoughts seventy
Authorszymborska wislawa
Grouping Categorybook
Last Update2024-05-15 02:00:47AM
Last Indexed2024-05-18 02:32:27AM

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    [synopsis] => Translated and Introduced by Magnus J. Krynski and Robert A. Maguire Regarded as one of the best representatives since World War II of the rich and ancient art of poetry in Poland, Wislawa Szymborska (1923-2012) is, in the translators' words, "that rarest of phenomena: a serious poet who commands a large audience in her native land." The seventy poems in this bilingual edition are among the largest and most representative offering of her work in English, with particular emphasis on the period since 1967. They illustrate virtually all her major themes and most of her important techniques.



 Describing Szymborka's poetry, Magnus Krynski and Robert Maguire write that her verse is marked by high seriousness, delightful inventiveness, a prodigal imagination, and enormous technical skill. She writes of the diversity, plenitude, and richness of the world, taking delight in observing and naming its phenomena. She looks on with wonder, astonishment, and amusement, but almost never with despair. "[Szymborska] is like so many Eastern European writers, an ironist. She writes, especially in her later years, a plain, almost bony verse, and she can stand for the survival, not just of the conscience but of imagination, in this last half-century."
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